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Kent Worthington on
Similarity and Difference
Kent Worthington on Similarity and Difference
How Ideas Work Review Series: Part II
by G. Stolyarov II
Note: This is the second of five
articles discussing Kent Worthington’s innovative book, How Ideas Work. The first article is “Kent
Worthington on Consistency and Contradiction.”
Mr. Worthington opens the second chapter of How Ideas Work—“Similarity and
Difference”—discussing concept formation in small children and how this process
greatly broadens the children’s ability to refer to the world around them. If a
child merely points at a book, for example, he can only refer to a present book
immediately in front of him. However, by using the word, “book,” he is able to
refer to any book—past or present,
directly accessible or not, existent or not. Any book that has the potential to
be written is encompassed by the concept, “book.”
Pointing does not suffice to achieve the same breadth as conceptual
knowledge, because it is impossible to point to an entity’s characteristics—those attributes which
cannot exist except as incorporated into the entity. An entity’s shape, color,
and spatial dimensions are among such characteristics. One cannot identify “the
color red” by moving one’s finger in its direction. One can only point to a red
book, but this is insufficient for analyzing color qua characteristic. One can only isolate
the characteristic mentally, for the
purpose of analysis, without actually altering the material properties of the
entities being analyzed. This is the purpose concepts serve: to arrange and
rearrange entities in a plethora of mental “piles” on the basis of essential
common characteristics.
A single entity can be organized into a multitude of mental piles
depending on its characteristics. A given book—for example—can be put into the
pile of “novels” on the basis of its content and the pile of “paperbacks” on the
basis of its cover’s material. Both a novel and a newspaper can be put into the
larger pile of “printed material.”
The process of abstraction allows the mind to overcome a significant
perceptual limitation: the fact that “[a] perceptual entity cannot be in two
places (two piles) at the same time” (36). By using words and concepts, one can
leave the perceptual entity where it was originally and yet place it into as
many mental piles as is warranted by
the entity’s actual characteristics.
Two considerations are required to form a concept: similarity and difference. One must ask both how the
entities classified under a specific concept are similar to each other and how they differ from all others not included in the
concept (37). Many concepts identifying perceptual entities, such as “dog,”
“tree,” or “man” are first based on the essential characteristic of shape: the shape of a tree is required
for an entity to be classified as a tree. Concepts for nouns identifying perceptual entities
are typically formed with shape as the organizing characteristic. Essential characteristics on which
concepts for adjectives are formed
may include size, color, and texture: the corresponding concepts might be “big
and small, black and blue, hard and soft” (37).
Mr. Worthington draws an explicit connection between his theory of
concepts and Ayn Rand’s comparison of a concept to a “file folder” which
contains all the entities with the essential characteristic defining the
concept. The “file folder” is open to including any and all entities that share this
characteristic—whether or not these particular entities are presently
known.
The process of abstraction,
“of mentally isolating a characteristic from its entities and focusing on
it, as opposed to the entities themselves” (39), can enable one to form
higher-level concepts—identifying entities on the basis of characteristics that
exist in reality, but whose evidence is more complex and less directly
perceptible. “Property” is such an abstract concept—and it requires considerable
discernment to determine which entities fit into the mental pile, “Joe’s
property.” It is not enough to look at Joe and all the entities in his vicinity,
because some of those might not belong to Joe, and Joe might have other more
remote entities that do belong to
him. Property must be examined in an interspatial, intertemporal context: it is
the result of the individual applying his mind to reality in order to either
transform entities from their original “state of nature” or to obtain through
consensual trade entities that have already been thus transformed. Only an
extensive hierarchy of abstract concepts, including “labor,” “mind,” “state of
nature,” “consent,” and “trade” will enable one to arrive at the idea of
“property.”
There are two levels at which concepts are formed. The primary level of
abstraction is based on directly evident perceptual characteristics, such as
shape. The shape of a book enables one to categorize it under the concept,
“book.” Higher-level concepts, however, are formed on the basis of
characteristics of which man is not automatically aware. A “novel” is such a
concept, whose essential characteristic is not shape, but rather a book’s content. Higher-level concepts are
dependent on primary ones—and must be in order to maintain their tie to
reality—just as the concept, “novel,” is dependent on the concept, “book.”
Essential characteristics and
relationships enable one to form higher-level concepts. An essential “refers to
a relationship where something does not occur without something else” (42).
Without a given essential characteristic, Entity X would cease to be Entity X;
for example, without a thumb, a given man would continue to be a man. Without a
brain, however, he will not be able to function as a man—nor as anything else,
for that matter. Having a brain is an essential characteristic of man, whereas
having a thumb—while useful—is not (42).
Mr.
Worthington examines essential relationships through the designations of
“broader” and “narrower.” “[T]he broader concept is essential to the entities of
the narrower one” (44), and all the entities of the narrower concept are
encompassed by the broader concept. For example, “book” is the broader concept
whereas “novel” is the narrower one. The concept, “book,” is essential to the
concept, “novel,” and all novels are also books.
Forming the
higher-level concept, “novel,” enables one to narrow one’s mental focus, whereas other
uses of abstraction on the basis of essentials enable one to broaden that focus. One can begin with
“narrower” perceptual concepts, such as “dog” and “cat” and discover a
characteristic the two concepts have in common—locomotion. On the basis of this
essential characteristic—without which dogs and cats would cease to be dogs and
cats—one can place both dogs and cats in the category of “animals,” a
higher-level concept than the ones leading to its formation. All the particulars
unique to dogs or cats are omitted in forming this concept, because they are not
essential to animals qua animals. An
animal can have pointy ears or round ones and still possess the essential
characteristic of locomotion.
As one forms
concepts of ever higher levels, one needs to continuously ascertain their
relevance to reality. Definitions are
indispensable to this task—as they make clear precisely what actual entities a
given concept refers to. A proper definition for a concept includes a genus, “a concept, broader than the one
being defined, which distinguishes the entities of the defined concept from all
other entities that lie outside the
genus” (53). The definition also requires a differentia, “the characteristic (often
a set of characteristics) that distinguishes the entities of the defined concept
from all other entities that lie inside
the genus” (53). The sum of the genus and differentia forms the definition.
Applying this insight to today’s cultural and intellectual “mainstream” will
expose numerous blatant fallacies, including the idea of the “trade deficit.”
Mr.
Worthington analyzes the proper definition of a deficit: “a measurement of
spending (genus) that exceeds funds
available (differentia)” (55). When one country has a “trade deficit” with
another, however, no party spends more than the funds available to it; every individual and firm involved pay for the goods they
receive with money they actually possess. The nations are not doing the spending,
either; the private parties who trade goods and services are. Thus, the concept
of the “trade deficit” fails to meet the definition of “deficit” in both its
genus and its differentia. It is a pseudo-concept, smuggled into the
“deficit” file by opponents of free trade, who use the connotation of deficits
as dangerous and undesirable to thereby unjustifiably portray free trade with
other countries as dangerous and undesirable.
What enabled
the enemies of free trade to attack it by creating pseudo-concepts was the lack
of clear definitions for abstract concepts in most people’s minds. Another
prevalent method of the “mainstream” assault on man’s conceptual faculty comes
in the form of “package deals.” The term “extremist” has been used with
ever-increasing frequency to denounce someone as dangerous or undesirable. Yet
Mr. Worthington asks:
Is the
relationship an essential one? What about carrying honesty or integrity to
extremes? Should a judge carry justice to extremes in his courtroom? Should a
chef carry culinary excellence to extremes in his kitchen? Should a child carry
to extremes the requirement of looking both ways before he crosses the street?
Obviously, extremism with regard to many actions is most desirable and certainly
not dangerous (58).
By
claiming that “Islamist fanatics are dangerous because they are extreme,”
mainstream ideology seeks to instill in its followers the presupposition that
anything extreme is dangerous—that only the average, the mediocre, the moderate,
the blurry, the approximate, and the perpetually doubt-ridden is appropriate for
a “safe” society. In fact, however, Islamist fanatics are dangerous because they
are Islamist and fanatical. Dangerousness is not essential to extremism. One will be
dangerous if one carries a bad idea to extremes, but bad ideas in moderation are
dangerous as well—in some respects more so, because their influence then becomes
more subtle and insidious. Good ideas in extremes can only bring about extreme
good—and are desperately needed in today’s society, which will otherwise
“moderate” itself to death.
How does one escape fallacies like those of “trade deficits” and
“extremism”? One learns to define concepts on the basis of essentials; one
always makes sure that one’s definitions are clear, precise, and linked
inextricably to reality. Mr. Worthington’s system helps individuals learn to
think for themselves and access the real world, freed from dangerous popular
misconceptions.
You can order How Ideas Work at http://www.howideaswork.com/.
—(12/28/05)
[Discuss This Article.]
"Mr. Stolyarov is a science fiction novelist, independent philosophical
essayist, poet, amateur mathematician, composer, contributor to Enter Stage
Right and Le Quebecois Libre, and Editor-in-Chief of The Rational Argumentator, a magazine championing
the Western principles of reason, rights, and progress [http://www.geocities.com/rational_argumentator/index.html].
Mr. Stolyarov is also the recipient of the February 2004 Editor's Choice
Award for Outstanding Achievement in Poetry, presented by poetry.com and the
International Library of Poets. He can be contacted at
gennadystolyarovii@yahoo.com.
You can learn about Mr. Stolyarov’s newest science fiction novel, Eden
against the Colossus, at http://www.geocities.com/rational_argumentator/eac.html.
Information about his latest non-fiction treatise, A Rational Cosmology,
is available at http://www.geocities.com/rational_argumentator/rc.html."
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